Fassbinder in Hollywood

Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood

Monsieur Truffaut Meets Mr. Hitchcock

The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited

Contract Kid: William Reynolds on Douglas Sirk

The Mysteries of Paris: Jacques Rivette's Out 1 Revisited

Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias

Swan Song: The Story of Billy Wilder's Fedora

Requiem for a Killer: The Making of 'Blast of Silence'

Rag Doll Memories: Nancy Allen on 'Blow Out'

Program Notes: An Introduction To The Last Detail By Alexander Payne

Starting Out: The Making of Jerzy Skolimowski's Deep End

Last of the Independents: Don Siegel and the Making of 'Charley Varrick'

The Beast Inside: Creating 'Wolf'

A Cinema of Signs: Claude Chabrol on Alfred Hitchcock

The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter

Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand

Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz

Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’

Of Love and Constraints

Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered

Acting for Douglas Sirk

Ted Kotcheff's Gourmet Cinema

Pure Cinema: Joe Napolitano on Brian De Palma's Body Double

Return to Philadelphia: George Litto on 'Blow Out'

Black and White in Color: Vilmos Zsigmond on 'Blow Out'

Traveling Roadshow

Jack Arnold Remembers The Incredible Shrinking Man

Touching Death: Alejandro Amenábar on 'Tesis'

A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'

A Winter's War: Keith Gordon on 'A Midnight Clear'

Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram

Painting with Light: Nicholas von Sternberg on Josef von Sternberg

Sucker Punch Blues: A Look Back on John Huston's 'Fat City'

Before Taking Off: Milos Forman’s Road to America

Perspectives on Othello: Joseph McBride on Orson Welles

Will He Live or Will He Die: Walter Hill on Southern Comfort

G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak

G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak

Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited

Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'

Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'

Beyond Melodrama: Kathryn Bigelow on Douglas Sirk

A Tribute to Douglas Sirk by Allison Anders

Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"

The Poet and the Filmmaker: Volker Schlöndorff on Baal

Dalton Trumbo: Rebel in Hollywood

Love Letters

'Deep End': Remembering the Deleted Scenes

Life As It Is: Miloš Forman on Miloš Forman

Return to Beethoven Street: Sam Fuller in Germany

Rumble on the Lot: Walter Hill's Streets of Fire Revisited

The Fury: A Location Journal

Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'

Erinnerungen an 'Väter und Söhne'

Outer Movement, Inner Movement

The Making of Highlander

Expedition Amazonia

About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'